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MATHURāNāTHA ŚARMAN ( fl. Bengal, India, 1609) astronomy Mathurānātha, who enjoyed the titles Vidyālānkāra (“Ornament of Wisdom”) and Cakravartin (“Emperor”), composed the Ravisiddhāntamañjarī; in 1609.
This is an astronomical text in four chapters accompanied by extensive tables (see Supplement) based on the parameters of the Saurapakşa with the admixture of some from the adjusted Saurapakşa; the epoch is 29 March 1609.
His is one of the primary sets of tables belonging to this school in Bengal. Another set of tables, the Viśvahita, is sometimes attributed to him, but its author is, rather, Rāghavānanda Śarman.
Mathurānātha also wrote a Praśnaratnā̄nkura and a Pañcā̄ngaratna, but little is known of either. BIBLIOGRAPHY The Ravisiddhāntamañjari was edited by Viśvambhara Jyotişārņava as Bibliotheca Indica, no. 198 (Calcutta, 1911); the tables are analyzed by D. Pingree, Sanskrit Astronomical Tables in England (Madras, 1973), 128–134. David Pingree Citation styles Encyclopedia.com gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA).
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• The art of Mathura tends to be based on a strong Indian tradition, exemplified by the anthropomorphic representation of divinities such as the Yaksas, although in a style rather archaic compared to the later representations of the Buddha. The Mathuran school contributed clothes covering the left shoulder of thin muslin, the wheel on the palm, the lotus seat, etc.
Mathura and Gandhara also strongly influenced each other. … • Specific Mathuran adaptations tend to reflect warmer climatic conditions, as they consist in a higher fluidity of the clothing, which progressively tend to cover only one shoulder instead of both. Also, facial types also tend to become more Indianized. … • It then reverted to local rule before being conquered by the Indo-Scythians during the 1st century BCE.
Mathuran art and culture reached its zenith under the Kushan dynasty which had Mathura as one of their capitals, the other being Purushapura (Peshawar). … • The representations of the Buddha in Mathura, in central northern India, are generally dated slightly later than those of Gandhara, although not without debate, and are also much less numerous.
Up to that point, Indian Buddhist art had essentially been aniconic, avoiding representation of the Buddha, except for his symbols, such as the wheel or the Bodhi tree, although some archaic Mathuran sculptural representation of Yaksas (earth divinities) have been dated to the 1st century BC.
Even these Yaksas indicate some Hellenistic influence, possibly dating back to the occupation of Mathura by the Indo-Greeks during the 2nd century BC. …
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